Can you imagine it onstage, being used alongside other more traditional instruments? You’ve mentioned that you envisage Cmpsr as potentially a live performance instrument. With a traditional instrument you’ve got to put a lot of time into it.” If you want to dig under the hood as an advanced musician, then Cmpsr will scale with you. Anyone can pick it up and play it straight away. OW: “Just to add, that it has all those abilities but it’s also simple and inviting for people to use. We want it to feel like an instrument in its own right.” You can also use it as a massive X/Y pad, which works nicely in a live environment. You can basically run entire Ableton Live sets, and really get expressive with MPE/SWAM-based instruments. Then we’ve built in lots of CC options for control. You can also access notes outside the scale if you want to get more technical. People can simply move around and play chords. There’s no key-fixing on a software layer, it’s all done inside the instrument. “It’s worth noting as well that there’s no necessity for a software layer between Cmpsr and whatever you’re using if you’re running it on an iPhone or with a Mac, whatever you’re using comes in and out as MIDI. ![]() ![]() ![]() The tuning is automatically done on the device. The way that we describe it is taking the power of a full keyboard – and the knowledge and music theory of someone who knows how to get the best out of that keyboard – distilled into a device you can play with one finger. ST: “It’s gaming technology with musical capabilities, essentially. Could you give our readers a top-down overview of Cmpsr’s abilities?
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